Romuald Tual
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2012 : Formation (2 days) L2 - Philosophy 2011-2012 Renforced Music, Faculté de philosophie, Nantes.


2011-2012 : Intervenant D.A.W. CEFEDEM, Nantes.


2012.04 10-12 : Formation : Use Ableton Live, Trempolino, La Fabrique Nantes.


2012.02 20-22 : Formation : Use Cubase Steinberg, Trempolino, La Fabrique Nantes.


2012.02 13-15 : Formation : Use FL Studio Image Line, Trempolino, La Fabrique Nantes.


2011-2012 : "General principles of musical data processing & bases of the home studio", Trempolino, La Fabrique Nantes.


2010-2011 : Formation (2 semestres) L2 - Philosophy 2010-2011 Renforced Music, Faculté de philosophie, Nantes.


2010-2011 : Formation D.A.W. @ Trempolino, Nantes.


2010-2011 : Formation D.A.W. 1 & 2 years, CEFEDEM, Nantes.


2010 : Formation (3 days) L2 - Philosophy 2009-2010 Renforced Music, Faculté de philosophie, Nantes.


2010 : Formation D.A.W. D.E de musiques actuelles, CEFEDEM, Saint-Brieuc.


2010 : Seminary Audio - Hypermédia 3e année, L’Ecole de Design Nantes Atlantique.


2009 : Formation D.A.W., D.E de musiques actuelles, CEFEDEM, Saint-Brieuc.


2009 : Seminary Audio - Interactivité 3ème année, L’Ecole de Design Nantes Atlantique.


2009 : Intervention : Sound Integration/gestion for animation, Hypermédia formation continue 14e promotion, L’Ecole de Design Nantes Atlantique.


2008 : Seminary Audio - Hypermédia 3e année, L’Ecole de Design Nantes Atlantique.


2007 : Seminary Audio - Hypermédia 3e année, L’Ecole de Design Nantes Atlantique.


2005 : Seminary ADCEM D.A.W., Ecole nationale de musique de Dieppe.


2002 : Public Intervention about DAW. (dedicate audio work)  l’Ecole de Musique La Balinière de Rezé.


2000 : Festival d’île de France : initiation D.A.W. for school.


2000 : Studio Césaré Reims : projet « bruissances », 4 month, iinteraction between 4 workshops (video, improvisation, juggling and D.A.W.).


2000 : Seminary «music techno» with Eric Morand, Guillaume Bara, Guillaume Kosmicki , organised by médiathèque André Malraux, Savigny-sur-Orge.


1999 : Initiation D.A.W.  Festival D’Ile de France, usine Christofle, Saint-Denis.


1998 : "The techno music: artistic approach and creative dimension" seminar organized by the association modern comforts, the Conservatoire de Region, space Mendes France and the city of Poitiers.

Intervention on "musical structure and social structures in techno music."


"The techno music, artistic and creative dimension Approach" was the subject of the second symposium on 22 and 23 January 1998 in Poitiers by the modern comforts and the National Conservatory.

Book co-edited by the modern comforts and the ARDIAMC Poitou-Charentes.

DVD co-produced by modern conveniences, Square Images / The Local Production Haiku

Under the general title "The techno, a musical movement to a social phenomenon", the Confort Moderne conducted in 1997 and 1998 reflection with researchers, academics, journalists, associations (in particular Technopol) to design and organize two seminars to better understand the various aspects of this movement, to start thinking by collecting and comparing the different views of stakeholders, to give the public an accurate and as comprehensive as possible on this subject.

This second symposium presented to the public organology electronic music, the notion of creation in techno music, the musicological approach of this new musical trend, distribution and receipt of techno. These different approaches have provided a better understanding and identifying the part of the creative contemporary popular music.



Conference proceedings (book sold):

- A video demonstration of creating and techno mix made ​​by Dj Rom

- A 45 rpm which has two clips of the evening "improv-techno" recorded with modern January 22, 1998 with Jacques Garnavault the collective Infrabass (Blois), Nicolas Brouard the collective Baz'art (Poitiers), Hervé Thomas Hint groups and Fragile (Angers) and DJ Rom (Nantes)


1998 : Florida Agen : CyberSpaceFiesta, formation D.A.W. (numeric arts).


1998 : "Emerging music of the last thirty years," conference organized by the APEMU (Association of Teachers of Music Education) to Bordeaux. Intervention on "The techno music: a social history and some methods of musical analysis" with William Kosmicki. Presentation tools M.A.O. used in the Techno culture.


1997-1999 : Trempolino Nantes and Musical scool la Balinière de Rezé Nantes.




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